Often you’re presented with at least two mics on a kick drum, and sometimes more. However, provided you’re not merely salvaging the drums, there can be wiggle room within your mix. Don’t forget that a kick isn’t just low-end information the attack happens in the midrange, where lots of other instruments and vocals live. The rest of the arrangement matters as well: what the bass is doing in the low end influences how you process the kick drum, while synths that occupy the 100–250 Hz range can also hold sway over kick decisions. The same goes for the room in which you’re recording, and the way you treat the overheads and room mics. The quality of the drums themselves-and the quality of the drummer-will have a huge impact on the sound.Īs with snare drums, the recording technique will always influence the results. The unfortunate truth of kick mixingĪs with snare drums, one unfortunate truth is universal: everything depends on the recordings with which you’re presented. Think of this as the companion piece to a previous article which centered on the snares. So, in this article, we’re going to show you four kinds of kick drum, and how to mix them. a kick drum with less sub content might feel more like a 70s track than a 90s track. The kick can signify not only genre, but also time period-e.g. It can dictate the feel, tempo, and aesthetic of the music.
The kick drum is a foundational part of a mix.
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